Showing posts with label damsel in distress. Show all posts
Showing posts with label damsel in distress. Show all posts

Tuesday, February 9, 2010

What Does He Reveal?

The "Live-In Girlfriend Job Description" I posted yesterday reveals as much about Leif and the relationship he was hoping for as it does about the situation he found himself in. The fact that he referred to a "promotion" to wife shows that he was hoping and thinking that things would work out and go in that direction.

Leif was attracted to women that he felt needed some kind of male protection, someone who aroused his protective instincts, but someone who also was physically attractive and alluring. It was a kind of classic "damsel in distress" that gave him purpose. However, once he had "captured" this damsel, he invariably felt he needed to change or improve her, whether it was a simple matter of dyeing her hair red or a more thorough makeover including teaching her how to dress and behave like a lady, for Leif DID want a woman who behaved like an elegant (but sexy) lady in public. He wanted to be the knight with the beautiful lady that everyone else would look at and envy him.

However, though Leif wanted to change his woman, much like Professor Higgins in "My Fair Lady," he also didn't want to change himself and resisted all efforts to make him change. This created plenty of friction, as his ladies didn't see that as fair and didn't like some of his faults, particularly his intemperate spending.

D really did need Leif's protection and voice of change. She had had such a difficult life that she had never had the opportunity to live the kind of life Leif grew up with or could offer her. I think part of his attraction for her was that he felt he could teach her a different way of life and new ways of interacting with the world, and probably that was one of his attractions for her as well. The "job description" refers to going to school and bettering oneself, and helping each other to curb destructive vices. Leif tried hard to get D to go back to school and get a degree so that she could find better jobs, but during their time together, she wasn't ready to try it.

He didn't go into detail about the destructive vices, but one he must have been referring to was over consumption of alcohol, something which wasted a great deal of money, caused him to put on weight, and caused D to lose control of her actions at times. They both needed to stop drinking, but they couldn't seem to do it. Another was smoking, which he does refer to. I don't know whether Leif ever really clearly realized how destructive drinking was for him or not. I do know that once or twice he admitted to me that he needed to cut down and even toyed with the idea of joining AA if he could convince D to do it, too. I don't know whether Leif was an alcoholic or not but I do know that he drank far more than he should ever have.

The "job description" was one of Leif's many attempts to refine the gold he saw in D. There was much that he found endearing and appealing, but they both had many complaints about each other as well. Unforunately, although they both cared about each other, it was not a good match and they were in for a rollercoaster ride with many swift turns and ups and downs before the relationship finally ended.

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This photo of a silly Leif up in an apple tree was taken in the yard of our house in Sachsen bei Ansbach, Germany, in June 1979. Leif was four-and-a-half years old.

Thursday, November 6, 2008

The Tragic Seeker



I wasn't going to interrupt the photos and account of Leif's military career but I have to. Last night we went to the Phantom of the Opera production at the Tampa Bay Performing Arts Center. We had never been there before, and I couldn't help thinking that if Leif were alive, we might well have taken him with us. I wish he could have seen it. We saw Phantom years ago in Kansas City, but other than the music, it's amazing how much of it we had forgotten.

In the past year, the two choruses I sing with each have selected Andrew Lloyd Webber songs, and as with other music, I've found that the words and music speak to me of Leif, especially "Think of Me," "All I Ask of You," and "Wishing You Were Somehow Here Again."

"Think of Me," I can imagine in Leif's mind, as he would think of his past loves, his family. I can also imagine it in my mind, hoping that he would think of me. It's a beautiful song, but I see it so differently now.

"All I Ask of You," has a double poignancy, sung by Christine and Raoul, the two lovers, and by the Phantom, who loves and needs Christine. Phantom, the tragic musical genius and seeker of love, shunned by society because of his looks, an outsider who can never have what he truly needs.

Leif was an attractive man, but his blemish was of another kind, his introversion, his penchant for getting into financial trouble, but like Phantom, he sought a love to make him whole, and like Phantom, he wanted to shape his love into the perfect object of his love.

Leif in some sense belongs in the group of literary men who want to take a "damsel in distress" or poverty (think of Shaw's "Pygmalion," the inspiration for "My Fair Lady," as well as the Phantom and Christine, a chorus girl pining for her dead father) and make her into a fine lady.

"Wishing You Were Somehow Here Again," which Christine sings in front of her father's grave, brought tears to my eyes. How I wish Leif were somehow here again! She sang it with such longing and grief, feeling from the soul, and I know just what Christine felt.

The staging was spectacular. Just the engineering of it would have engaged Leif's mind. He would have loved this show. I wonder if he would have seen any of the things I saw in it. Perhaps not, if he were still alive.

It was a magical, beautiful evening for us, but Leif was there, if only in my mind.

He was a tragic seeker of love, my lonely son, a seeker of his place in the world, a place he never found.
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The photo above was taken in May 1998 when Leif came back to Kansas from infantry basic training to pack up and move to Fort Drum, New York. He was 23.